1. Be honest and open: If actors have to take their clothes off - do it on the first day!

2. Just like in a restaurant, atmosphere trumps all:  If you’re not able to pay top dollar, then pay in set atmosphere - good food, good people, lots of fun. Its like hosting a party. If you make sure everyone is happy and having fun - good results will happen. (however, unlike a party, imbibing a great deal of alcohol does not help)

3. Don’t sweat it. You can’t control if someone likes your work, just if you enjoy it.  Everyone has an opinion. Form your own. One man’s “Best Picture” is another man’s “Pretentious Picture.” Likewise, one man’s “Quotable comedy” is an other’s “Snooze Fest.” Make the project you want to make. You can only please yourself.

4. Get rest. If you have to choose between an extra hour planning shots late at night or extra sleep - choose the sleep - the more sleep you can get the better you can make those decisions, even if they are at the last minute.

5. Focus on what matters. If people are paying attention to the color of the wall in the background, or that the background light doesn’t match, they’re not paying attention to the story or characters, and you’re screwed anyway.

6. Be in the Moment. If you’re thinking about Stanislavsky, Method, or Motivation while you’re acting, then you’re not “being” the character.  The same with writing - if you’re thinking of structure while writing dialogue it won’t feel real. Just get the characters to talk.  When you’re rehearsing, or outlining the story, then use all your learning, but when you’re actually doing it - go with your gut.

7. Embrace failure. The more tripping, stumbling, and outright fall off the cliff crashes you have, the more you’ll learn, and the better you’ll be.

8.Be open.  Editing the film is actually the final draft of your script. Be open to changing everything.

9. Be prolific. The more you write and film, the more times you have to fail, to learn - the more you don’t fall in love with anything, the easier it will be to ruthlessly look at and edit your work.

10. Be a kid. Remember the moment you wanted to be a filmmaker? An actor? A writer? The first time you picked up the camera? Got up on stage? Whatever it is, remember that moment, and always think of it. It’ll get you through the hard parts.

11. Don’t be an asshole. There is no such thing as competition with other filmmakers. Help everyone.  The only person you can be in competition with is yourself. As long as you win that competitive battle, you’ll always get better.

12. Be yourself. If you don’t know who that is - find out. Without knowing that, you’ll never be able to make anything.

So Season 2 of “Meet the Mayfarers” launches today.

Of course, this being on the web, there’s really no pressing need for “Seasons.” The only time it really matters is if say, a show is launched for a few episodes, then they stop for a long period of time, get new funding or ad sponsorships, and then come back.  But this being the web - there can be all sorts of different approaches.

I set out to show “a year in the life of the family” and I shot a year’s worth of content. So then really, why did break I it up? Shouldn’t Season 2 be “Year 2″ of the family - after they do, or don’t, get the money?

To be honest I’m just trying to test this out.

For my part, I know that I always feel I miss something if I jump into a show late into the game. Even if I know the characters and plot, when I see the number 16 or 20 it always makes me think I should start from episode 1. And then there’s never enough time to watch all the episodes, they keep piling up and soon you find yourself never watching that show. So some web shows I never get around to watching simply because they have episode numbers in the hundreds. I feel as if I will never catch up.

I don’t want this to happen to Mayfarers, so I decided to reboot - and start episode 1 of season 2. My thinking is that it would be easier for new people to jump on seeing “Episode 1″ in the title rather than “Episode 24.” But I could be wrong. This whole online releasing shows thing is overall an experiment.

The other thing I’m trying this season are smaller story arcs. So by the end of the season instead of being on episode 16 again, they will be smaller arcs - it will only go to episode 8 or so, with the rest being three or four part stories.  Again - this is all experimenting. What methods do you like?

In anycase, however you watch it, I hope you check out season 2 of “Meet the Mayfarers.”

And really, if you are totally crammed for time - you don’t need to watch season one. The plot’s simple really. If you haven’t seen the show, all you need to know is that the family is forced to be together for a year to get an inheritance - and my character, the son, had a one night stand with his dead grandfather’s fiancee, on the day he died - which she uses to blackmail him……..

hmmm………

On second thought…that does sound fairly wrong. Maybe you should just watch the Recap.

2010 has me really excited. There’s new shows to release, new shows to shoot, new friends to meet, and experiences to have. 2010 is the year that web video is really going to break out.

This week I’m in the final stages of editing Season 2 of “Meet the Mayfarers.” I’m excited to launch the new episodes. I hope you’ll join us for the ride. Here’s a pic of the Mayfarers clan, from a future episode.

Thanks for all your support!

We’re two days behind schedule, the pig’s guts are rotting, and we haven’t slept in two weeks. I was directing a feature horror film, and I was miserable. Cut from that set to the set of “Meet the Mayfarers.”All of us are Dancing next to people dressed in mascot outfits - particularly a Bunny Rabbit and a Parrot suit. And we are laughing hysterically.

Standing there on that original set, blood on my jacket, sheep’s guts oozing out of the cooler and onto my hands, I realized something profound: I’m not having fun. So what, you say? Is anything suppose to be fun? Making a film is, by its very definition - a difficult experience. You’re up before sunrise, working through the day, and lucky if you fall asleep before midnight, then do it all again.

There’s a difference, and that’s passion.

So I’m sitting there with a film I’m not passionate about and then I see what people are doing online. There was a lot to be impressed about. Within a few months, some of the channels received more views than any of my filmmaker friends. But more important than any of this - they were all having fun. Or looked like they were anyway.

I sat down, and realized what was wrong. I wasn’t having fun.  For me the happiest moments, of both childhood and high school were having friends come over, and “make a movie.” Of course some, (many) of these are laughably bad. But they were fun to do. We’d make ‘em, have a blast shooting them, and had a laugh watch them. The perfect way to spend an afternoon.

But somewhere along the line, when I started making features it didn’t become fun. At first I thought, this is what it is to be professional, and truth be told, there is a lot of work, from scheduling, to figuring shots, to dealing with on set divas. But fun and professional are not mutually exclusive. Fun doesn’t have to be lazy and professional doesn’t have to be bland. And on that horror film set, a crew member said to me, “Not every project can be fun” But I disagree. We can’t control many things on set, but we can have fun.

I remember sitting in one of countless screenwriting courses, and the teacher kept saying that writing “shouldn’t be fun.” She said that writing should “make your head bleed.” On one level, I understood what she was saying - that writing is rewriting, and to make the script work you need to keep rewriting it. But I think she’s wrong. Time and again, the scenes that I’ve had the most fun writing, the scenes where  I’m so into the scene and I’m writing one character talking to another and I’m “in the zone” are invariably, so much better than the scenes that I’ll slave over for months, or years even. I see that it my colleagues scripts as well - when the passion isn’t there, it isn’t on the page. That doesn’t mean one should “toss off a script” with no rewriting, nor does it mean neglecting and shortchanging the very difficult architecture like importance of structuring a script.

But still - it needs to be fun. Writing - filmmaking - it should be fun.

At the end of the day, in filmmaking, as in life, there are no guarantees. Try as you might, you can’t be sure certain a film will sell, you can’t be certain people will latch onto it, you can’t even be certain that the scene you’re shooting won’t eventually be cut from the final film. But you can control your enjoyment. This career is too difficult not to have fun.

I love this web Internet space because the cost of projects have gone down, but the possibilities are limitless, and there’s no excuse not to have fun. I think it shows on the screen.

For me, that’s what “Meet the Mayfarers” is. A chance to reclaim the “fun” of filmmaking. A chance to bring the level of fun I had as a kid, making movies with friends in my backyard, but hopefully with a more professional sensibility. Whatever becomes of the show, it totally rekindled my love for the fun of making movies. And I’ll be forever grateful for that.

I can’t wait to shoot more episodes, to shoot more series, and then use this passion to do more features. In many ways, I feel like a kid again, and that’s important.

I hope you enjoy the show, and I hope that passion and fun plays through your computer monitor and gives you a smile.

It did for me.